Products related to Imagination:
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The Copywrights : Intellectual Property and the Literary Imagination
They borrow from published works without attribution.They remake literary creation in the image of consumption.They celebrate the art of scissors and paste. Who are these outlaws? Postmodern culture-jammers or file-sharing teens? No, they are the Copywrights—Victorian and modernist writers, among them Oscar Wilde and James Joyce, whose work wrestled with the intellectual property laws of their day.In a highly readable and thought-provoking book that places today's copyright wars in historical context, Paul K.Saint-Amour asks: Would their art have survived the copyright laws of the new millennium?Revisiting major works by Wilde and Joyce as well as centos assembled by anonymous writers from existing poems, Saint-Amour sees the period 1830–1930 as a time when imaginative literature became aware of its own status as intellectual property and began to register that awareness in its subjects, plots, and formal architecture.The authors of these self-reflexive literary texts were more conscious than their precursors of the role played by consumption in both the composition and the consecration of literature.The texts in question became, in turn, part of what Saint-Amour characterizes as a "counterdiscourse" to extensive monopoly copyright, a vocal minority that insisted on a broadly conceived public domain not only as indispensable to free expression and fresh creation but as a good in itself.Recent events such as the court battle over the Copyright Term Extension Act (CTEA), which extends copyright terms by 20 years, the patenting of the human genome and of genetically altered seed lines, and high-stakes controversies over literary parody have increased public awareness of intellectual property law.In The Copywrights, Saint-Amour challenges the notion that copyright's function ends with the provision of private incentives to creation and innovation.The cases he examines lead him to argue that copyright performs a range of political, emotional, and even sacred functions that are too often ignored and that what seems to have emerged as copyright's primary function—the creation of private property incentives—must not be an end in itself.
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Imagination!
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Property Investment Appraisal
Discover an insightful examination of the property investment appraisal process from leaders in the industry This book explains the process of property investment appraisal: the process of estimating both the most likely selling price (market value) and the worth of property investments to individuals or groups of investors (investment value). Valuations are important. They are used as a surrogate for transactions in the measurement of investment performance and they influence investors and other market operators when transacting property.Valuations need to be trusted by their clients and valuers need to produce rational and objective solutions. Appraisals of worth are even more important, as they help to determine the prices that should be paid for assets, even in times of crisis, and they can indicate market under- or over-pricing. In a style that makes the theory as well as the practice of valuation accessible to students and practitioners, the authors provide a valuable critique of conventional valuation methods and argue for the adoption of more contemporary cash-flow methods.They explain how such valuation models are constructed and give useful examples throughout. They also show how these contemporary cash-flow methods connect market valuations with rational appraisals. The UK property investment market has been through periods of both boom and bust since the first edition of this text was produced in 1988.As a result, the book includes examples generated by vastly different market states.Complex reversions, over-rented properties and leaseholds are all fully examined by the authors. This Fourth Edition includes new material throughout, including brand new chapters on development appraisals and bank lending valuations, heavily revised sections on discounted cash flow models with extended examples, and on the measurement and analysis of risk at an individual property asset level.The heart of the book remains the critical examination of market valuation models, which no other book addresses in such detail.
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Explaining Imagination
This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence.It is free to read at Oxford Academic and offered as a free PDF download from OUP and selected open access locations. Imagination will remain a mystery--we will not be able to explain imagination--until we can break it into parts we already understand.Explaining Imagination is a guidebook for doing just that, where the parts are other ordinary mental states like beliefs, desires, judgments, and decisions.In different combinations and contexts, these states constitute cases of imagining.This reductive approach to imagination is at direct odds with the current orthodoxy, according to which imagination is a sui generis mental state or process—one with its own inscrutable principles of operation.Explaining Imagination upends that view, showing how, on closer inspection, the imaginings at work in hypothetical reasoning, pretense, the enjoyment of fiction, and creativity are reducible to other familiar mental states—judgments, beliefs, desires, and decisions among them.Crisscrossing contemporary philosophy of mind, cognitive science, and aesthetics, Explaining Imagination argues that a clearer understanding of imagination is already well within reach.
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What is imagination?
Imagination is the ability to form mental images, ideas, and concepts that are not present in our immediate surroundings. It allows us to visualize things that do not exist or have not yet happened, enabling us to be creative, innovative, and problem-solve. Imagination is a powerful tool that helps us explore new possibilities, think outside the box, and envision a better future.
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Was it imagination?
Imagination is the ability to form mental images, sensations, and concepts that are not present to the senses. It is a creative and cognitive process that allows us to explore possibilities and envision new ideas. Whether something is imagination or not depends on the context and the individual's perception. It could be a product of imagination if it is a creative idea or a mental image, but it could also be a real experience or observation. Ultimately, the determination of whether something is imagination or not is subjective and can vary from person to person.
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Fantasy or imagination?
Fantasy and imagination are closely related but not the same. Imagination is the ability to form mental images, ideas, and sensations that are not present in reality, while fantasy is a genre of fiction that often involves magical or supernatural elements. Imagination is a fundamental cognitive process that allows us to think creatively and problem-solve, while fantasy is a specific type of creative expression. Both are important for creativity and innovation, but they serve different purposes in our cognitive and emotional lives.
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Do animals have imagination?
While animals may not have the same level of imagination as humans, there is evidence to suggest that some animals do possess a degree of imagination. For example, certain species of birds have been observed using tools in creative ways to solve problems, which could indicate a level of imagination. Additionally, animals like dolphins and elephants have displayed behaviors that suggest they can think beyond their immediate circumstances and imagine different possibilities. Overall, while the extent of animal imagination may differ from humans, there are indications that some animals do possess this cognitive ability to some degree.
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Criminological Imagination
For the last three decades Jock Young's work has had a profound impact on criminology.In this provocative new book, Young rejects much of what criminology has become, criticizing the rigid determinism and rampant positivism that dominate the discipline today.His erudite and entertaining examination of what's gone wrong with criminology draws on a range of research - from urban ethnography to sexology and criminal victimization studies - to illustrate its failings. Young makes a passionate case for a return to criminology's creative and critical potential, partly informed by the new developments in cultural criminology.A late-modern counterpart to C. Wright Mills' classic The Sociological Imagination, this inspirational piece of writing from one of the most brilliant voices in contemporary criminology will command widespread attention.The concluding part of the author's trilogy of influential texts including The Vertigo of Late Modernity and The Exclusive Society, it will be essential reading for anyone who cares about the future of criminology, and the social sciences more generally.
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The Imagination
‘No matter how long I may look at an image, I shall never find anything in it but what I put there.It is in this fact that we find the distinction between an image and a perception.' - Jean-Paul SartreL’Imagination was published in 1936 when Jean-Paul Sartre was thirty years old.Long out of print, this is the first English translation in many years.The Imagination is Sartre’s first full philosophical work, presenting some of the basic arguments concerning phenomenology, consciousness and intentionality that were to later appear in his master works and be so influential in the course of twentieth-century philosophy. Sartre begins by criticising philosophical theories of the imagination, particularly those of Descartes, Leibniz and Hume, before establishing his central thesis.Imagination does not involve the perception of ‘mental images’ in any literal sense, Sartre argues, yet reveals some of the fundamental capacities of consciousness.He then reviews psychological theories of the imagination, including a fascinating discussion of the work of Henri Bergson.Sartre argues that the ‘classical conception’ is fundamentally flawed because it begins by conceiving of the imagination as being like perception and then seeks, in vain, to re-establish the difference between the two.Sartre concludes with an important chapter on Husserl’s theory of the imagination which, despite sharing the flaws of earlier approaches, signals a new phenomenological way forward in understanding the imagination. The Imagination is essential reading for anyone interested in the philosophy of Jean-Paul Sartre, phenomenology, and the history of twentieth-century philosophy. This new translation includes a helpful historical and philosophical introduction by Kenneth Williford and David Rudrauf.Also included is Maurice Merleau-Ponty’s important review of L’Imagination upon its publication in French in 1936. Translated by Kenneth Williford and David Rudrauf.
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Eva's Imagination
Eva doesn't know what an imagination is. With the help of her dog, Chops, Eva goes on a hunt to find it.A delightful story about the power of imagination.
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Imagination Manifesto : A Call to Plant Oases of Imagination
Ted Turnau introduces readers to the major themes of his in-depth Oasis of Imagination by collaborating with Ruth Naomi Floyd.Floyd brings her distinctive experience as a Christian artist to make this a practical guide that distils the "why" and "how" of embracing Christian creative cultural engagement. Why does the church need to pay more attention to the imagination?How can we, in this day and age, best enter our cultural conversations for the common good?How can the local church better support its creatives, enriching its own imaginative life and building bridges to their neighbours and the wider culture?Whether you are a Christian artist or creative yourself, or an everyday Christian searching for a path beyond the culture wars and Christian bubble, Imagination Manifesto will give you biblical foundations, practical pointers, discussion starters, and inspiration for "planting oases" in today's culture.
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Imagination or Reality: Spider?
Spiders are a reality in the natural world, existing in various species and habitats around the globe. However, the fear or fascination that spiders evoke in individuals can often lead to imaginative interpretations or exaggerated perceptions of these creatures. While some may view spiders as terrifying or dangerous, others may appreciate their role in controlling insect populations and admire their intricate webs and unique characteristics. Ultimately, the perception of spiders can vary between imagination and reality, depending on individual experiences and perspectives.
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Has the imagination diminished?
No, the imagination has not diminished. In fact, with advancements in technology and access to a wide range of creative outlets, the imagination has the potential to flourish more than ever before. People are constantly creating and consuming new forms of art, literature, and media, which requires a strong imagination. Additionally, the ability to envision and create new solutions to complex problems is a key aspect of human imagination, and this capacity continues to be essential in various fields such as science, engineering, and design. Therefore, the imagination remains a powerful and essential aspect of human creativity and innovation.
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Is faith just imagination?
Faith is not just imagination. While imagination can play a role in shaping one's beliefs and understanding of faith, faith itself is a deeply held conviction or trust in something that is beyond the realm of empirical evidence. It involves a strong belief in something greater than oneself, and often serves as a source of hope, comfort, and guidance in the face of uncertainty. Faith can be based on personal experiences, teachings, or spiritual insights, and is not simply a product of imagination.
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Electric shock or imagination?
Electric shock and imagination are two very different things. Electric shock is a physical sensation caused by the flow of electric current through the body, while imagination is a mental process of creating images, ideas, or sensations that are not actually present. It is important to differentiate between the two in order to accurately assess and address any potential risks or concerns. If someone is experiencing symptoms of electric shock, it is important to seek medical attention immediately, while imagination is a natural and creative aspect of human cognition.
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